Portfolio

This portfolio is a stitched-together archive of the things I care about—animals, textures, portraits, ecosystems, and quiet moments that feel worth remembering. I work in both traditional and digital media, depending on what the piece asks for.

Some of the work here was commissioned: pet portraits, album covers, wedding illustrations—pieces that mean something to someone, which is always an honor to be trusted with. Other drawings come from my own curiosity—studies of wildlife, expressive creatures, color explorations, or personal pieces that started with the question: what would it feel like to be this thing?

I like drawing things that are specific. That carry memory. That feel a little strange or sacred or soft. Sometimes I get technical. Sometimes I get whimsical. But always, I try to listen closely to whatever I’m making.

  • BBNO$ "Meant To Be" Cover Art

    My submission for an art contest held in April 2025 by artist bbno$ for a cover art design dedicated to a released single "Meant to Be." Was a recognized submission by the artist.

  • Oompaville & KallmeKris Wedding Portrait

    Wedding portrait of Youtubers Oompaville & KallmeKris (Caleb and Kristina Phelps) drawn digitally as a gift.

  • Eye Trend Art with Krem!!

    My take on a TikTok trend circa March 2025 of "eye trend" with a unique spin of drawing out each expression with my cat, Krem.

  • The Last of Us Poster

    Ellie, a character in the game the Last of Us drawn here as a commissioned poster design.

  • "We Are All Made of StarDust"

    A drawing of a Tarantula Nebula commissioned as a digital poster design. Entangled within the nebula, a figure of a woman arises.

  • Penelope from EPIC the Musical

    A colorized digital rendition of Penelope from the Epic of Odysseous and Penelope from Greek pantheon. From this character, was designed in historical conext to fit a design from a musical dedicated to the myth.

  • "My Emotions Consume Me"

    My take on the Tiktok Trend circa March 2025 of "What Emotions I Feel Most." Blue represents sadness, green represents fear, pink represents anger, orange: jealousy, purple: disgust, and yellow represents happiness.

  • "How Healing Could've Been"

    Healing isn’t gentle. It is ripping something out of me, raw and rotting. The antlers are my pain. twisting, breaking, growing like an open wound. In this piece, she stands, about to tear them out from her skull, even knowing it will hurt.

  • Niece Nursery Poster

    Poster design made inspired by nursery theme, favorite animal, and meanings of names from the client.

  • Nephew Nursery Poster

    Complimenting poster design made inspired by nursery theme, favorite animal, and meanings of names from the client; made for the same household.

  • Epaulette Shark

    Digital rendition of an Epaulette Shark made on Procreate.

  • Cuddling Red Pandas

    Pair text with an image to focus on your chosen product, collection, or blog post. Add details on availability, style, or even provide a review.

  • Viperfish

    Viperfish drawing with graphite in Multimedia Sketchbook on paper.

  • Pampered Pheasant

    Mixed Media water colored pencil and watercolor on paper. An unfinished surrealist piece.

  • My First Jellyfish

    Acrylic on Wooden canvas. This was my first professional painting, sold within a month of hanging at my first gallery.

  • Domino <3

    Pet portrait commission of Domino, acrylic on wood canvas.

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Artist Statement

I’m a biology and computer science student building a studio around the belief that learning should feel like discovery—not a gatekept institution. Honism Studios is my independent artist-run lab for exploring the invisible systems and soft patterns that shape everyday life. Through scientific illustration, speculative design, and research-informed storytelling, I ask: What if science didn’t need a lab coat? What if it looked like a keychain, a zine, a screenprint, or a wearable object? What if it felt like a question you could hold?

As a dual-degree candidate in biology and computer science—with concentrations in software engineering and a minor in bioinformatics—my practice sits between the empirical and the expressive. I use visual design, narrative thinking, and accessibility-focused tech to make complexity tangible, especially for learners outside traditional STEM spaces. I care about building objects that do more than explain—they invite. They soothe. They leave room for questions.

My work prioritizes access, not simplification. I center neurodivergent and disabled audiences, craft tactile tools for focus and fidgeting, and choose ecologically mindful methods when I can—because science isn’t separate from how we live. It’s already there, in every ecosystem, workplace, body, and tool. My job is to help you notice.

This studio is named after onism—the ache of being limited to one life, one experience. Honism is my attempt to bridge that gap. It’s a way to touch all the things I love: science, design, learning, sociology, ecology. And maybe, in doing so, help others see that wonder belongs to them too.

Let's Make Something Great Together!